Sci-Fi

The success of James Cameron’s Avatar was inspiring: an indication that it is possible to launch a new saga in reboot-happy Hollywood. Now it looks like Avatar is all he will be working on for, well, the rest of his filmmaking career. In an interview with the The New York Times, Cameron explains that he has shut down the development arm of his production company and is no longer working on new projects:
“I’m in the Avatar business. Period. That’s it. I’m making Avatar 2, Avatar 3, maybe Avatar 4, and I’m not going to produce other people’s movies for them. I’m not interested in taking scripts…. I think within the Avatar landscape I can say everything I need to say that I think needs to be said, in terms of the state of the world and what I think we need to be doing about it. And doing it in an entertaining way.”
Cameron goes on to note that anything he can’t say within the confines of Avatar‘s elaborate alien-treehugger mythology structure will instead be expressed in documentary form. (He’s working on a documentary about his deep-sea dive.) That’s disappointing for anyone who was hoping for movement on Cameron’s long-promised adaptation of Battle Angel — or, indeed, anyone hoping for a James Cameron movie not starring sexy volleyball-team cat people. The last time a major director gave himself over to a single science-fiction franchise, it worked out really well before it worked out really not so well.
As for Avatar 2, here’s what Cameron had to say about the movie’s status:
“So we’ve been mostly working on the tool set, the production pipeline, setting up the new stages in Los Angeles, setting up the new visual effects pipeline in New Zealand, that sort of thing. And, by the way, writing.”
See on insidemovies.ew.com


In Men In Black III Will Smith travels back in time, for important alien reasons, and he meets up with the younger Tommy Lee Jones (played by Josh Brolin). How well does it work? See for yourself!

This new massive collection of MIB III clips, plus 14 mins of behind the scenes footage, is a shrine to how good Brolin is at playing TLJ — and it’s kind of creepy, but also super cute.

Men in Black 3 will be out on May 25th.

CLICK THRU FOR VIDEOS on io9.com


It’s more or less official now which villain Benedict Cumberbatch is playing in the Star Trek sequel. It’s been confirmed by multiple off-the-record sources, and Trek Movie seems pretty sure about it. And there’s already a protest movement brewing about it.

But nobody’s brought up the real problem with Cumberbatch’s Trek villain yet.
Top image: Star Trek set photo via MTV.

Spoilers ahead…

So by all accounts, Cumberbatch really is playing Khan Noonien Singh, the villain made famous by Ricardo Montalban in the Original Series episode “Space Seed” plus the movie Star Trek II: The Wrath of Khan. This seems logical, based on what we’ve seen of set photos thus far — whoever Cumberbatch is playing, he apparently doesn’t have any alien makeup on. And he doesn’t have godlike Squire Trelaine powers, because otherwise Spock wouldn’t be able to nerve-pinch him. It’s clear Cumberbatch is playing someone human(ish), which narrows things considerably.

We already devoted tons of space to explaining why bringing back Khan is a bad idea — in a nutshell, it smacks of sequelitis and rehashing old ideas. It feels like pandering to the fans rather than doing something fresh and interesting. You can’t improve on Montalban. Chris Pine doesn’t have the gravitas to face up to a villain with that level of intellect and personality. Khan will probably get needlessly combined with another set of villains to make the story seem new — and indeed, there are multiple reports the Klingons are a major part of Trek 12.

Meanwhile, there’s already a protest movement brewing against the idea of casting a white guy as Khan. Who, after all, is a POC character who was played by a POC actor. And yes, this is clearly a bit of whitewashing, along the lines of the Last Airbender controversies and other similar stuff. Khan is one of the most iconic people of color in space opera, so to turn him into another angry white guy seems just kind of sad. Also, one wonders if Cumberbatch is attempting to do some kind of pastiche of Montalban’s accent — let’s hope not. Originally, they had sought Benicio Del Toro for this role, but he had to pull out.

But there’s another huge problem with casting a white guy as Khan.

Khan’s whole backstory and reason for existing have to do with the Eugenics Wars. He’s the product of selective breeding (or, according to Wrath of Khan, genetic engineering) to create the perfect human. He’s smarter, faster, cleverer and more cunning than any normal human, and he can learn any topic from top to bottom in moments. That’s why he’s such a huge threat to Kirk and the others — much more than a regular human villain like, say, Harry Mudd. Or the Outrageous Okona.*

Khan is basically the ultimate racial supremacist, who believes everyone else is his inferior. He’s clearly a product of the post-World War II generation grappling with the legacy of the Holocaust and Hitler’s terrible ideology, like so much other pop culture of the 1950s and 1960s. (For more on this, read here.)

Making the ultimate representation of eugenics into a vaguely Asian villain played by a Latino was an oddly clever choice — it divorces his claims of genetic superiority from the real-life advocates of eugenics, and forces you to see the issue in a new light. For most of its history, eugenics was synoymous with “white superiority” — but Khan flies in the face of that, by giving us a eugenics experiment in which race is apparently not a factor. (Khan’s followers are mostly white, so apparently Khan’s ethnic identity is just pure happenstance, and the creators of this master race weren’t aiming for any particular skin color.)

A color-blind eugenics program gets past the “white supremacy” aspects of eugenics to reach for the heart of why eugenics is so terrible — the very notion of one group of humans being innately better than another devalues us all. It dehumanizes all people, even the allegedly superior ones, by assigning to us a value based on arbitrary characteristics. It’s one more step into making us like cattle, who can be bred for certain characteristics. Or more like things, really.

And yes, Khan is shown to be fallible, again and again — in “Space Seed,” he misjudges Lt. Marla McGivers’ devotion to him, and thus dooms his takeover of the Enterprise. In Wrath of Khan, a great deal of time is spent on the various ways Kirk outfoxes the man with the “superior intellect” — tricking him into dropping his shields, using fake damage-repair time estimates, luring him into a nebula, using his two-dimensional thinking against him. But these things are partly a big deal because Khan’s superior intellect is his defining characteristic.

Part of the point of Khan, as a villain, is that his superior intellect has huge blind spots. (This is truer in Wrath of Khan than in “Space Seed.”) But in order for that to work, you first have to build up Khan as being smarter and better than everybody else. If Khan is purely a delusional idiot who thinks he’s mentally superior but clearly isn’t, then he’s not an interesting villain.

So there are two problems with having a white guy play the ultimate creation of a project to breed superior humans, destined to rule over all inferior breeds:

1) It’s a little on the nose. You risk taking Khan’s undercurrent of racial superiority and making it overt.

2) The potential for ick is huge. Like I said, you have to build up the idea that Khan really is superior, or he’s just another guy. And having a white guy storm around talking about his genetic superiority — while proving that, at least at first blush, he really is smarter and better than everyone around him — just feels like it could easily get ugly. Of course, this is a question of execution, but you’re basically steering a line between making Khan too awesome (thus proving that he’s right about his eugenicist rhetoric) or making him just kind of a fraud.

In any case, it sounds like we’ll get to see soon enough how this pans out. Perhaps all of the “eugenics” elements of Khan and the rhetoric about superiority will be toned down, and replaced with a kind of Gattaca-style tut-tutting about GMO humans. Perhaps Khan will just be more of a generic megalomaniac this time around. But in any case, casting a white guy as Khan means tossing out one of the most valuable things about the character — his ability to make us talk about eugenics without it being a coded discussion of white supremacy.

Update: To everyone who’s saying Montalban was actually white in the comments, this is obviously one of those issues that gets into tricky territory because these labels are largely arbitrary. On the other hand, it’s easy to find interviews where Montalban talks about being a “minority” actor and facing discrimination, including one where he says “Hollywood destroyed my dreams long ago.” In 1970, he founded the Nosotros Foundation, to advocate for Latinos in Hollywood, and in 1972 he co-founded the Screen Actors Guild Ethnic Minority Committee. It’s pretty clear that Montalban identified as an ethnic minority, whether or not we choose to respect that self-identification.

* Actually, was the Outrageous Okona a villain? I refuse to rewatch that episode to find out. I’m going to say yes, just based on the name and his terrible puffy sleeves. And the Joe Piscopo association.
See on io9.com

“We’re going to have the most Daleks we’ve had on screen ever – but they will be from every era, quite deliberately. We’re calling them in from everywhere! All of them! Even the Special Weapons Dalek. They’ll all be there…” STEVEN MOFFAT talks in depth about his version of Doctor Who in an exclusive, revealing, in-depth, eight-page interview…
See on blogtorwho.blogspot.ca


The Lawrence Livermore National Laboratory in Livermore, California, comes under the auspices of the Department of Energy’s National Nuclear Security Administration, and houses the National Ignition Facility, or more colloquially, “the world’s largest laser.”

And, for a little while at least, the lab will also play host to JJ Abrams and his Star Trek sequel crew.

Now, they really can’t be filming in there with the laser operational – it creates conditions “similar to those in the stars and the cores of giant planets or in nuclear weapons,” so we should probably assume they just liked the look of the place.

A huge, hi-tech, super-elaborate lab in a room the size of three American football fields, all ready-made and camera-friendly: I’d like it too.

Blastr found talk of the film shoot in The Mercury News, and also ran this image of the Ignition Facility.

Deep in the belly of the Enterprise, maybe?

I’d hazard a wishy-washy guess that the crew of the Enterprise will be looking for some kind of a huge power source. That would tie in with the images of Spock lowering into a volcano we’ve already seen.

Or… maybe not. As I said. Wishy-washy.My final question: the Trek crew are apparently using the alias “the HH project.” Anybody got any idea what that means?
See on www.bleedingcool.com


He’s not a very nice man, this Eric Packer. And he’s got a rather oblique way of expressing himself.

David Cronenberg‘s film of Cosmopolis will take its (deliberately?) pretentious dialogue and (deliberately?) stilted performances to Cannes later this month. There’s a tone to this clip, and to the trailers, that suggests a pretty intense experience. I look forward to seeing it all play out in full.

Thanks to AICN for the embed.

CLICK THRU FOR VIDEO on www.bleedingcool.com


It probably didn’t take too much to guess which story would form the basis of the next episode of Sherlock. The last chapter saw Holmes fake his death, and the next one will see him return, and that all points to an adaptation of The Adventure of the Empty House, the story wherein Conan Doyle gave his explanation of what went down.

And Mark Gatiss has now confirmed that this tale will indeed be the basis of the next TV show – but not without some changes. Speaking to the AP, he says:

There’s certain things about The Adventure Of The Empty House which feel set in stone because that’s how Sherlock comes back, but at the same time we feel free to invent and to introduce new stuff to it. I always found it a little unlikely that Dr. Watson’s only reaction was to faint for instance – as supposed to possibly a stream of terrible swear words.

Ah, there’s nothing like a good bit of swearing. I wouldn’t be surprised if Moffat or Gatiss could cook up something to compete with Malcolm Tucker, Don Logan or Loki.

Beyond the big return, however, Gatiss had only this to say about which bits of Doyle might make up the next series:

Steven and I have our all-time favourites, but it’s really a question of what will fit into the structure. We’re sort of guided by our idea for the overall feel of the next three stories.

And so it should be.

Sherlock season 3 is expected to start filming… wow, months from now. And it’s likely twelve to eighteen months before we’ll see it on TV.
See on www.bleedingcool.com


If this is true, Green Arrow has succeeded where Wonder Woman failed and gone from pilot to a series commission.

It’s just a rumour, but CW are said to have given the show the thumbs up for a premiere in this year’s fall TV season. According to The Daily Blam, multiple sources have given them word of the commission.

So while there’s been no official word on this, it sounds pretty likely that we can expect to see Arrow on the CW’s roster when they unveil it later this month.
See on www.bleedingcool.com


Disney XD has released a new trailer for its newest animated series, TRON: Uprising. Featuring character design work by Robert Valley, storyboards by Eric Canete, and music by Daft Punk collaborator Joseph Trapanese, the new cartoon would seem to live up to the stunning visual and aural standard set by TRON: Legacy. You can see and hear for yourself in the video below.

TRON: Uprising features story work by Legacy screenwriters Edward Kitsis and Adam Horowitz, and is set between that sequel and the original TRON. In this cartoon, Tron trains a successor, a young program called Beck, to take his place in defending the The Grid from Clu 2, the villainous program who betrayed The Grid’s human creator, Kevin Flynn.

I think it is fair to say this material looks amazing, and is far beyond what many of us expected when word first came of a weekly TRON animated series. While both live-action films are superlative in their own rights, both have definitely left something to be desired with respect to the story of The Grid itself. There’s a lot of potential in creator Steven Lisberger’s computer world there that remains untapped, and Disney would seem to agree, having staffed up TRON: Uprising with some auspicious talents indeed. The series features not just the work of Lost and Once Upon a Time writers Horowitz and Kitsis, brilliant iillustrators like Canete and Valley (who channel some of the much missed ferocity of Æon Flux), and music by the immensely talented Trapanese (seriously, his work with Daft Punk on the Legacy score is excellent), but also an impressive voice cast including Elijah Wood, Lance Henrikson, Paul Reubens and the original Tron himself, Bruce Boxleitner.

TRON: Uprising debuts June 7 on the Disney XD network.

CLICK THRU TO WATCH VIDEO on www.comicsalliance.com

The latest trailer for The Amazing Spider-Man movie is now live on iTunes Movie Trailers, and it’s perhaps the moodiest yet. When I say “moodiest,” though, I mostly mean “awesome-est.” For the most part the trailer expands on the themes established by previous teasers/trailers. The cops and a mutant Lizard guy are at odds with Spider-Man (Andrew Garfield), when all he wants to do is find out what happened to his mysteriously AWOL parents and smooch Gwen Stacy (Emma Stone). That’s all cool and very dramatic stuff, but here’s why you’ll want to watch this trailer 15 times: Peter Parker does a kickflip on his skateboard ala Tony Hawk II. See what you make of this, and other elements from the new The Amazing Spider-Man (in theaters on July 3) trailer after the jump.

CLICK THRU TO WATCH VIDEO on www.comicsalliance.com

Florida Supercon June 29 – July 1

Download the SUPERCON app on your iPad, iPhone or Android devices. Search for "SUPERCON" in the app stores to find it.

Florida Supercon is South Florida's largest Comic Book, Anime, Animation, Video Game, Fantasy, Sci-Fi and Pop Culture Convention.

FSC is JUNE 29 - JULY 2, 2012
Miami Airport Convention Center
711 NW 72nd Ave, Miami FL. 33126
HOTEL PHONE: 305.261.3800
SUPERCON HOTLINE: 954.399.1330
info@floridasupercon.com
Friday, June 29: 12:00PM - 3:00AM
Saturday, June 30: 11:00AM - 3:00AM
Sunday, July 1: 11:00AM - 3:00AM
Monday, July 2: 11:00AM - 9:00PM